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Photographer's Note

They photographs teach you about your own unraveling past, or about the immediacy of yesterday. They show you what you look at. If you take a photograph, you've been responsive to someting, and you looked hard at it. Hard for a thousandth of a second, hard for ten minutes. But hard, nonetheless. And it's the quality of that bite that teaches you how connected you were to that thing, and where you stood in relation to it,then and now. - Joel Meyerowitz,*

What I think is so extraordinary about the photograph is that we have a piece of paper with this image adhered to it, etched on it, which interposes itself into the plane of time that we are actually in at that moment. Even if it comes from as far back as 150 years ago, or as recently as yesterday, or a minute before as a Polaroid color photograph, suddenly you bring it into your experience. You look at it, and all around the real world is humming, buzzing and moving, and yet in this little frame there is stillness that looks like the world. That connection, that collision, that interfacing, is one of the most astonishing things we can experience. - Joel Meyerowitz

I think about photographs as being full, or empty. You picture something in a frame and it's got lots of accounting going on in it--stones and buildings and trees and air--but that's not what fills up a frame. You fill up the frame with feelings, energy, discovery, and risk, and leave room enough for someone else to get in there. - Joel Meyerowitz

What is the art experience about? Really, I'm not interested in making "Art" at all. I never, ever, think about it. To say the word "Art", it's almost like a curse on art. I do know that I want to try to get closer to myself. The older I get, the more indications I have about what it is to get closer to yourself. You try less hard. I just want to be. - Joel Meyerowitz -

Making any statement of your feelings is risky. It's just like making pictures. - Joel Meyerowitz -

I find it strangely beautiful that the camera with its inherent clarity of object and detail can produce images that in spite of themselves offer possibilities to be more than they are ... a photograph of nothing very important at all, nothing but an intuition, a response, a twitch from the photographer’s experience. - Joel Meyerowitz,

You know, he (Winogrand)* set a tempo on the street so strong that it was impossible not to follow it. It was like jazz. You just had to get in the same groove... You know, if you hesitate, forget it. You don't have to learn to unleash that. It was like having a hair trigger. Sometimes walking down the street, wanting to make a picture, I would be so anticipatory, so anxious, that I would just have to fire the camera, to let fly a picture, in order to release the energy, so that I could recock it. That's what you got from Garry. It came off him in waves - to be keyed up, eager, excited for pictures in that way. - Joel Meyerowitz,

...Photography is a response that has to do with the momentary recognition of things. Suddenly you're alive. A minute later there was nothing there. I just watched it evaporate. You look one moment and there's everything, next moment it's gone. Photography is very philosophical. - Joel Meyerowitz -

** What is Street Photography?


Over the last few decades the phrase ‘Street Photography’ has come to mean a great deal more than simply making exposures in a public place. Photographers like Robert Frank, Garry Winogrand, Lee Friedlander and Joel Meyerowitz have forced a redefinition of the phrase that has many new implications.
Primarily Street Photography is not reportage, it is not a series of images displaying, together, the different facets of a subject or issue. For the Street Photographer there is no specific subject matter and only the issue of ‘life’ in general, he does not leave the house in the morning with an agenda and he doesn’t visualise his photographs in advance of taking them. Street Photography is about seeing and reacting, almost by-passing thought altogether......etc..
..sourse....in-Public.

* see my WS HERE colour version Looking at the two images I can think of then and now, what do you like?

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Additional Photos by Georgios Topas (TopGeo) Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 4033 W: 93 N: 8299] (38220)
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