Cold, Tepid and Warm
Photo Information
Copyright: Marco Neves (Eagle78) Gold Star Critiquer/Silver Workshop Editor/Gold Note Writer [C: 517 W: 32 N: 384] (1925)
Genre: Places
Medium: Color
Date Taken: 2003-12-13
Photo Version: Original Version, Workshop
Edited by: Martin Currie (martin) Gold Star Critiquer/Gold Workshop Editor/Silver Note Writer [C: 514 W: 264 N: 37] (1242)
Edited Image Upload Date: 2003-12-14 16:09:02
Categories: Nature
Camera: Nikon Coolpix 5700
Exposure: 4, 1/125 seconds
Workshop Note
Yet another Workshop on Contrast Masking. But there are so many new members joining all the time that I thought that another one is justified -- and that Marco's wondereful image provides a nice opportunity. Using Elements 2, the steps were:

1. Create a Duplicate Layer.
2. Enhance / Adjust Colour / Remove Colour.
3. Image / Adjustments / Invert.
4. In the Layers palette, select Overlay in the options bar.
5. Still in the Layers palette, set the % for Opacity.
6. Filter / Blur / Gaussian blur: set the pixels radius.
7. Flatten image.

You use trial-and-error to determine what opacity (step 5) and Gaussian blur (step 6) are appropriate for the picture and for your tastes.

In this case, I set the opacity at 70% and the Gaussian blur at 30. But then, to exaggerate the effect to show what is possible, I repeated the whole process with the same settings. I also added a frame. [Since the original image was only 34 KB, the post-processing image was only 167 KB, so no down-sizing was necessary for uploading to TE.]

I should say that, whereas my own preference is for the one involving just one application of contrast masking, MY SON PREFERS THE ORIGINAL IMAGE. I hope that, even if everyone agrees with my son, some members may nevertheless find it interesting to see what contrast masking can achieve.
Ratings
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