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Photographer’s Note

At the wonderful Robert Capa Retrospective, held at the Jewish Museum in Brussels until 19th April. A small homage to this immense photographer.

This couple is looking at one of the China photographs, her head leaning on his shoulder, I could watch them for a bit and see their emotion. It represents a very young worker on those giant dams, so destructive in the end. I could not find a link for it.

"Information on the exhibition"

"Rober Capa's Magnum work"

Born in Budapest (his real name was Friedmann Endre Ernő), in 1913, Robert Capa created images that have a timeless, universal quality that transcends the specifics of history. He photographed five wars, and his work remains the definitive visual record of the Japanese bombing of Hankou, as well as later events in the European theater of World War II, including the Allied landing on D-Day, the Liberation of Paris, and the Battle of the Bulge.

Away from the front line, Capa counted among his friends an astonishing galaxy of luminaries, including actors Gary Cooper and Ingrid Bergman; writers Ernest Hemingway and John Steinbeck; columnist Art Buchwald; and artists Pablo Picasso and Henri Matisse. Many insightful images of these friends are also included in this show. Capa's extended family in Paris included employees of Magnum, the renowned photography agency he founded in 1950. For three years, Capa devoted much time to the agency's business and to recruiting and promoting young photographers. Capa hated conflict, and photographed people on both sides of hostilities as individual victims of the destructive forces of war. He emphasized the faces and gestures of men and women hunkered down in foxholes, running wild-eyed from air raids, or sobbing over their losses. When photographing the sufferings of innocent civilians, Capa often turned his lens on children. Although he rarely photographed the dead or grievously wounded, Capa focused more on the survivors who were caught up in the ordinariness of life while surrounded by a maelstrom of destruction. In all, Capa allowed viewers to experience the wars as intimately as if they, too, were embroiled in the anguish.

And yet, while he documented such atrocities, Capa was fundamentally a pacifist. He was buried in a Quaker cemetery at the age of 40 after stepping on a land mine in 1954 while on assignment for Life magazine in Indochina.

Capa's 35mm Leica hand-held camera gave him the mobility necessary to maneuver in dangerous situations. But it was the intimacy, immediacy, compassion, and empathy that characterize his photographs. Capa could empathize deeply with many of the subjects of his photos. He understood rejection when he was exiled from Hungary and forced to flee Germany to escape anti-Semitism. He knew the pangs of hunger when living in Berlin and Paris. And he felt the anguish of losing a lover to the ravages of war, when photojournalist Gerda Taro was killed while covering a battle in Spain.

°°°

Have a great Sunday.

casperduppy, Asiulus, Anna--, Clementi, avene, Clairedelune has marked this note useful

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Additional Photos by Michele Gruber Caelen (Merline) Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 929 W: 116 N: 1434] (6578)
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