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Photographer’s Note

Thanks to the research made by Rob (alvaraalto) the name of the artist is Antony Gormley, one of the most important British artists and a winer of the 'Turner' award, in 1994. "Mass and empathy" was the name of the exhibition and it got two instalations: “Critical Mass” e “Domain Field”.

UPDATED in 19 of February of 2006

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I find some shots on my archieve taken two years ago, of an exhibition I saw in the Gulbenkian Museum (old building), so that I'm able to show you some interiors of it.
Unfortunately, I don't know the name of the artist, but I find this metalic sculptures very interesting, in playing with lighting and transparency. The scale is natural and walking around them is quite fun, as they are a lot of them in the interior, even outside this main room and also in the exterior, at the garden.

In ws you have other two shots, showing diferent perspectives. I was not sure about which one to post. In this one you can feel the relation bettween interior and exterior.
I hope you like it, since the exterior was not very much apreciated.

This was taken with an old digital camera. It was stolen, so that I don't remember which one was exactly, but it was an automatic cheap one.

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For information about the building and Gardens,

The existing architectural ensemble, simple in line with different areas ably linked together, is surrounded by a green area designed by the landscape architects Gonçalo Ribeiro Telles and António Viana Barreto, with lawns, trees, pools and even an open-air amphitheatre. The exterior or the museum is like a massive rectangular parallelepiped set on one of its longer sides where the use of concrete and granite creates a mellow chromatic equilibrium. Planned in relation to each object collected by Calouste Gulbenkian, on the lower floor it has a Temporary Exhibition Gallery, a small auditorium, a museum shop and cafeteria as well as the Art Library.

A defining mark in Portuguese museum architecture, the edifice of the Museum is organised round two gardens with numerous tall picture windows that enable the visitor to enjoy Nature and Art.

A noteworthy example of the latest trends in modern Portuguese architecture of the 1960s, the Calouste Gulbenkian Foundation was awarded the Valmor Prize for Architecture, in 1975.

For more information,
http://www.museu.gulbenkian.pt/museu.asp?seccao=edificio&lang=en

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Additional Photos by Ricardo Lopes (riclopes) Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 6554 W: 148 N: 9727] (32823)
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