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Photographer’s Note

This grafitti first caught my interest beause it is ( no pun intended) so stripped.

First: visually it has no adornments, none of the usual fancy paintwork of experienced taggers.

Second: it's message is so stark and so bare of detail that it's hard to know exactly what it means. Is it offering something? Seeking it? Announcing it for the sake of a juvenile giggle? Although grafitti tends to be a man's game, we can't even be sure of that; perhaps it was painted by a woman. I love its utter opacity and inpenetrability. It cannot really be decoded.

This photo is another one taken in Parkdale, a neighbourhood in Toronto that was once rich, then fell into povery and disrepair, and is now being gentrified with mixed results. There are detailed notes about it with my photo Modern Ruins, and Surreal Print Shop in a Dodgy Spot and Be Cool were also taken there.

The grafitti is directly outside the Gladstone Hotel. One of the positive examples of change in the neighbourhood, the Gladstone houses several bars and an art gallery (it's worth checking out their excellent website, linked above). The negative signs of change are everywhere, mostly in the form of condos.

Apart from the grafitti, I really liked the many squares and rectangles that make up this image, and the layers of reflection (it's taken through a bus shelter, so there is at least one, and in some parts there are two, intervening layers of reflective plastic). And yes, I lay in wait for someone to pass by, managing to catch this guy on his bike (or at least parts of him).

Rinie_Hoff, MiguelP, KevRyan, Homerhomer, Elise_d has marked this note useful

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Additional Photos by Lee Sato (ElSato) Gold Star Critiquer/Gold Note Writer [C: 292 W: 3 N: 151] (824)
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