Photographer’s Note
The temples carvings of Belur are exquisite.
These temples have become rich repositories of ancient Hindu culture, with several thousands of visitors from all over India and overseas coming to witness their intricate and distinctive architectural style. The temple at Belur is still functional but the Halebid temple, though open to the public, is no longer in use for devotional purposes.
Belur was once the capital of a powerful empire on the banks of River Yagachi. Belur's main temple, Chennakeshava (dedicated to Lord Krishna and set in a compound with several smaller temples and a pond), was commissioned by King Vishnuvardhana in 1117 AD to celebrate Hoysala military victories. It took over a hundred years to complete and its architecture is foreign to the prevailing Hoysala style of the 12th century – it is exceptionally large (about 100-ft high) and its decoration very lavish (with a magnificent gateway tower – gopuram) in Dravidian style. It is delicate in its filigree work, with the added attraction of bracketed figures of celestial dancers, called Madanikas and exclusive to Belur, and an innumerable variety of intricate pillars. Contrary to Indian tradition, these Hoysala sculptors signed their work at this temple.
The exteriors of the temple are adorned with horizontal friezes, sculptured in succession from the bottom. Stories from the Puranas, the Upanishads and other mythological sources have been executed in most exquisite and authentic detail, as have tales from the Ramayana and the Mahabharata.
Critiques | Translate
wolf38
(12565) 2009-06-12 23:21
Hello Elaine. The word Belur wakes only good memories with me. Worth seeing is there fantastic architecture. Above all however the ornate columns of the temples are somewhat special. Your photo shows the splendour of this temple at the portal. By the blue dressed woman the photo got additionally lives. Very beautifully. Best regards, Wolfgang.
daddo
(11275) 2009-06-12 23:57
Hi Elaine. Exquisite carvings and in excellent condition. I can only assume that factories and industrial pollution are far from this place. The presence of the old devotee is a touching addition- these stone structures will be there long after she is gone. she does add though a note of bright colour in the prevailing grey. Regards. Klaudio.
EuniceChoo
(65) 2009-06-13 2:57
Great composition..like her blue dress with the stone background..so appealing..good shot. Bravo!
patdeph
(17560) 2009-06-13 3:40
hello Ellaine
I am speachless in front of such a beauty!What a splendid artwork!And as usual,you give it life with the woman entering inside,and you have perfectly placed her in the darkness of the door!This is splendid,I love this picture and add it in my theme!
Regards
Pascale
rginer
(525) 2009-06-13 3:55
Hi Elaine,
Wonderful and amazing carving and the color, composition. I like the lady entering to the temple with such a wonderful dress. The architecture is awesome !
Well done ! Love it !
Best regards,
Roser
quillo
(7106) 2009-06-17 9:45
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Hola Elaine .. .. .. .:
Interesting picture simple in framing,
but very attractive in color and definition,
I love the moment of the daily life in Belur.
In a good work and you I congratulate.
Un abrazo y feliz día.
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kevinos
(6923) 2009-08-09 10:25
Hi Elaine. This is another of your stunning images. The portrait of the amazing architecture so crisply and well lit, would be enough but then you capture the form of the devotee entering the door in that wonderful colour to bring the whole thing to life. You always did have an amazing eye. Regards Kevin
Photo Information
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Copyright: Elaine springford (everlasting)
(10896) - Genre: People
- Medium: Color
- Date Taken: 2009-01-26
- Categories: Daily Life
- Camera: Nikon D 200, Nikon 18-200mm VR, Digital RAW
- Exposure: f/6.3, 1/80 seconds
- More Photo Info: view
- Photo Version: Original Version
- Travelogue: India - for business and pleasure
- Theme(s): mon hommage à l'Inde [view contributor(s)]
- Date Submitted: 2009-06-12 23:15
Discussions
- To kevinos: thank you (1)
by everlasting, last updated 08-14 02:51








