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Christ the Redeemer


Christ the Redeemer
Photo Information
Copyright: Assi Dvilanski (asival) Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 299 W: 114 N: 498] (3449)
Genre: Places
Medium: Color
Date Taken: 2004-05-24
Categories: Architecture
Camera: Canon EOS 300D, 70-300mm F4-5.6 IS USM
Exposure: f/5.6, 1/1250 seconds
More Photo Info: [view]
Photo Version: Original Version
Theme(s): Christ Redeemer [view contributor(s)]
Date Submitted: 2006-10-22 0:18
Viewed: 862
Points: 7
[Note Guidelines] Photographer's Note
The idea for erecting a large statue atop Corcovado had been around since the mid 1850s, when Catholic priest Pedro Maria Boss requested financing from Princess Isabel to build a large religious monument. Princess Isabel did not think much of the idea, which was completely dismissed in 1889, when Brazil became a Republic, with laws mandating the separation of church and state.

The second proposal for a large landmark statue on the mountain was made in 1921 by the Archdiocese of Rio de Janeiro. The archdiocese organised an event called Semana do Monumento ("Monument Week") to attract donations, which came mostly from Brazilian Catholics. The designs considered for the "Statue of the Christ" included a representation of the Christian cross, a statue of Jesus with a globe in his hands, and a pedestal symbolizing the world. Eventually the statue of Christ the Redeemer with open arms was chosen.

Local engineer Heitor da Silva Costa was chosen to oversee the construction of the new monument, to be designed by French-Polish architect Paul Landowsky. A group of engineers and technicians studied Landowsky's submissions and the decision was made to build the structure out of reinforced concrete instead of steel, more suitable for the cross-shaped statue. Costa and Landowsky decided to make the outer layers of the statue out of Soapstone, because of its malleability and good resistance to extreme weather. The Corcovado Rack Railway proved essential to the building effort, as it was the only way to get the large pieces of the statue to the top of the mountain.

The monument was inaugurated on October 12, 1931, by president Getúlio Vargas in a large, lavish ceremony. One of the highlights of the ceremony would be the lighting system, which was supposed to be switched on by Italian radio pioneer Guglielmo Marconi, from his yacht in Naples. Poor weather, however, affected the signal strength and the lighting had to be switched on manually by workers at Corcovado.

In October 2006, on the occasion of the statue's 75th anniversary, Archbishop of Rio Cardinal Eusebio Oscar Scheid consecrated a chapel (named for the patron saint of Brazil - Nossa Senhora Aparecida) under the statue. This allows Catholics to hold baptisms and weddings there. Foreign Catholics may be wed at the site if they have the proper paperwork sent there by their home diocese. It is anticipated that there will be a long waiting list.

Izobretenik, robertosalguero, krzbia, Isabelle, Rychach has marked this note useful
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Critiques [Translate]

The view may be interesting because of this orange and thick fog surrounding the place. I guess you made some zoom work on this one, don't you ? This Rio's statue is certainly one of the most famous statue of Christ around the world and it's not an easy subject to take in picture. I like the overall impression, especially the human size and proportions coming out of the statue. The crop emphasizes this feeling.

Izo

Assi the note attached to this picture has a very important historical value. The picture is very nice. I like the silhouette of the Christ against the bright orange tones of the sky. The tones actually make the statue look more like a person standing atop. Very good perspective, I think you zoomed this shot, of this subject. Nice work :-)

Roberto

Hello Assi,
I like the photo very much. And I like the note also. Your posting is just a model of something that I expect from TE - great photos and a lot of knowledge about the photographed place / event. Very inline with the TE motto!
Good work!

Chris

very beautiful, indeed. but why it's not that sharp?

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