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Photographer’s Note

THE VAN GOGH LIKENESS

My new, but already good friends, Arnold and Daniel Ludwig, are seen in a double portrait. The father-son duo flank a pair of small paintings, Father’s Day presents, created by artist Daniel, for his father. The portraits, inspired by Gauguin and van Gogh paintings, respectively, are prized possessions in Arnold’s home in Providence, Rhode Island. Daniel Ludwig is an extraordinarily talented professional artist whose other works can be seen in Art Net. Arnold Ludwig, a preeminent academic, a professor emeritus of psychiatry, is the author of a number of excellent books, including ‘King of the Mountain,’ which examines, compares, and ranks the effectiveness of world leaders of the 20th century.

Vincent van Gogh (1853-1890), the iconic Dutch/French expressionist, produced thirty self-portraits in the span of only five years, and the shear number and expressiveness of his works evokes the modus operandi of the Dutch Master Rembrandt van Rijn (1606-1669), who lived 2.5 centuries earlier and left behind a diary of his own appearance with 57 self-portraits in oil alone (another 50, when etchings and drawings are included). The original of the “Self-portrait of van Gogh with Bandaged Ear,” depicting the artist shortly after he cut off his own right ear, was created in 1889, and now hangs in the Courtauld Institute Galleries, London. A series of self-mutilations culminated with van Gogh committing suicide just a year later. It is almost certain that van Gogh suffered from schizophrenia, and indeed a pair of clues exist: in one of the artist’s most famous paintings, Dr. Gachet, his physician, is seen holding the plant ‘foxglove.’ It is from this plant that digitalis, used in treating the schizophrenia, is derived. Meanwhile, it is also known that a side effect of the medication is “yellow vision.” This in turn explains the artist’s famous “Yellow Period,” when he was painting endless sunflowers, and rooms with yellow wall paint. The portrait of Dr. Gachet brought almost $83 Million in an auction in 2000. (That sum represented a record, until 2004 when a Picasso portrait of Dora Maar sold for $95.2 Million.)

On a note integrating science and art, the Impressionists, and following them, the Expressionists, introduced hitherto unseen brilliant colors as an unexpected manifestation of the Industrial Revolution. Factories, with skyscraping smoke stacks, were able to produce much higher temperatures than ever known, and in the process new oxides of metals were observed. It is from these oxides, in turn, that some of the new colors were produced. Thus the shimmering effects in magical works by Monet and Renoire, then by van Gogh and others have an indirect connection with the Industrial Revolution that enhanced the quality of human life.

In the photo, I regret cutting off the top of Daniel’s head. In several other photos that I shot, the head is not cut off, but the camera flash is seen to have created an annoying shadow of Daniel on the blue wall. Nikon D70, 18-70 mm Nikkor lens, ISO 200, f/4.5, 1/60 sec; flash, no tripod.

As a postscript, I would like to thank my good TE-friend, John Maenhout, who observed that in modern (photographic) portraits, heads are frequently partially cropped.

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Additional Photos by Bulent Atalay (batalay) Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 4515 W: 295 N: 6739] (20698)
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