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Photographer’s Note

TULUM II — EL CASTILLO

This is my second photograph showing the ruins of Tulum on the Yucatan Peninsula of Mexico, along with a complementary note about the Maya Civilization to the one that I wrote for the earlier post. To recap, during the AD 3rd-10th centuries while Europe, descended into its Dark Ages, the Maya of Central (or Meso-) America ascended to its Classical or peak period. But then by the 10th century, the Maya began an inexorable path of decline. As the more powerful city-states, such as Chichen Itza, Tikal, Palenque… fell to northern invaders, however, the relatively weak city-state of Tulum on the northeast coast of the Yucatán rose in prominence, rising to control maritime trade in the area.

The Maya had invented a type of writing with ideograms, or glyphs, to record their history, their customs, their religion on scrolls or codices. Countless codices, however, were burned in a giant bonfire organized by the Spanish Bishop Landa who set out to systematically squash the pagan religion practiced in Meso-America. Only a few of the scrolls have survived to our time, and our information is largely from those meager few, and some paintings and carvings left on walls of temples, and finally the good Bishop’s own notes, largely self-serving observations.

Human sacrifice existed among the Maya to appease the gods, but far below the levels practiced by the Aztecs who had come to dominate Meso America at the time the Conquistadors arrived.

In Tulum the largest and most prominent building is El Castillo (The Castle), known to have served as a temple, but most likely used as a citadel also. Behind El Castillo seen in this photograph, the land descends to a white-sand beach where the Maya once came ashore, and now tourists swim and frolic in the sun, combining a visit to the ruins with a dip in the spectacular Caribbean. On top of one of the walls (20% from the right edge of the picture) is an iguana, a lizard approximately one meter long, frequently seen in this part of the world. IN THE WORKSHOP ARE A PAIR OF OTHER VIEWS: #1 SHOWING THE SHORE, AND #2 SHOWING AN IGUANA GAZING SUSPICIOUSLY AT THE PHOTOGRAPHER.

THE GOLDEN RECTANGLE

Finally, I cropped the image into a rectangle 800x494 pixels, reflecting the proportions of the golden rectangle, or 1.618 to 1.000. Frequently invoked by artists and architects in their creations, it is believed to be a shape particularly appealing to our aesthetic sensibilities. Phidias, the greatest sculptor/architect of antiquity, designed the Parthenon in the mid-5th Century BC, having inscribed his miraculous creation within the golden rectangle.

Nikon D200, 28-200 mm Nikkor lens, ISO set at 200; hand-held, and shot in RAW mode, with size 3884x2600, 9.1 MB

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Additional Photos by Bulent Atalay (batalay) Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 4702 W: 302 N: 7061] (21821)
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