Photographer’s Note
The Távora affair was a political scandal of the 18th century Portuguese court. The events triggered by the attempted murder of King Joseph I of Portugal in 1758 ended with the public execution of the entire Távora family and its closest relatives in 1759. Some historians interpret the whole affair as an attempt by the prime minister Sebastião de Melo (later the Marquis of Pombal) to limit the growing powers of the old aristocratic families.
In the aftermath of the Lisbon earthquake on November 1, 1755, that destroyed the royal palace, King Joseph I of Portugal lived in a huge complex of tents and barracks installed in Ajuda, on the outskirts of the city. This was the centre of all Portuguese political and social life.
Although in less spectacular accommodations, the tents of Ajuda were home to a court as glamorous and rich as that of the Versailles of Louis XIV of France. There the king lived surrounded by his staff, led by the prime minister, Sebastião José de Carvalho e Melo, and was entertained by his peers, the Portuguese high nobility.
The prime minister was a strict man, son of a country squire, with a grudge against the old nobility, who despised him. Clashes between them were frequent and tolerated by the king, who trusted Sebastião de Melo for his competent leadership after the earthquake.
King Joseph I was married to Mariana Vitoria of Borbón, princess of Spain, and had four daughters. Despite an attested happy family life (the king loved his daughters and enjoyed playing with them and taking them on nature walks), Joseph I had a favourite mistress: Teresa Leonor, wife of Luis Bernardo, heir of the Távora family.
The Marchioness Leonor of Távora with her husband, Francisco Assis, Count of Alvor and a former viceroy of India, headed one of the most powerful families in the kingdom, related to the houses of Aveiro, Cadaval and Alorna. They were also among the bitterest enemies of Sebastião de Melo. Leonor of Távora was politically influential, preoccupied with the affairs of the kingdom handed to, from her perspective, an upstart with no education. She was also a devout Catholic with strong ties to the Jesuits, including her personal confessor, Gabriel Malagrida
On the night of September 3, 1758, Joseph I was riding in an unmarked carriage on a secondary, unfrequented road on the outskirts of Lisbon. The king was returning to the tents of Ajuda after an evening with his mistress. Somewhere along the way two or three men intercepted the carriage and fired on its occupants. Joseph I was shot in the arm and his driver badly wounded, but both survived and returned to Ajuda.
Immediately Sebastião de Melo took control of the situation. Concealing the attack and the king's injuries, he proceeded with a swift enquiry. A few days later two men were arrested for the shootings and tortured. The men confessed their guilt and stated that they were following the orders of the Távora family, who were plotting to put the Duke of Aveiro on the throne. Both men were hanged the following day, even before the attempted regicide was made public.
In the following weeks the Marchioness Leonor of Távora, her husband the Count of Alvor, and all of their sons, daughters and grandchildren were imprisoned. The conspirators, the Duke of Aveiro and the Távoras' sons-in-law, the Marquis of Alorna and the Count of Atouguia, were arrested with their families. Gabriel Malagrida, the Jesuit confessor of Leonor of Távora, was also arrested.
All were accused of high treason and attempted regicide. The evidence presented in their common trial was simple: a) the confessions of the executed assassins; b) the murder weapon belonging to the Duke of Aveiro; and c) the assumption that only the Távoras would have known the whereabouts of the king on that evening, since he was returning from a liaison with Teresa of Távora (who was also arrested).
The Távoras denied all charges but were eventually sentenced to death. Their estates were confiscated by the crown, their palace in Lisbon destroyed and its soil salted, their name erased from the peerage and their coat-of-arms outlawed.
The original sentence ordered execution of entire families, including women and children. Only the intervention of Queen Mariana and Maria Francisca, heiress to the throne, saved most of them.
The Marchioness, however, was not spared. She and the other defendants sentenced to death were publicly tortured and executed on January 13, 1759, in a field near Lisbon. The king was present along with his bewildered court. The Távoras were their peers and kin, but the prime minister wanted the lesson driven home.
Afterwards the ground was salted, to prevent future growth of vegetation. To this day the field is a square in Lisbon called Terreiro Salgado ("the salty ground"); on its corner stands a shame memorial with an inscription just below waste height, overlooked by no saints' statues on niches - this disposition effectively converted the memorial into a popular pissoir.
Gabriel Malagrida was burned at the stake a few days later and the Jesuit Order outlawed. All its estates were confiscated and all Jesuits expelled from Portuguese territory, both in Europe and the colonies.
The Alorna family and the daughters of the Duke of Aveiro were sentenced to life imprisonment in various monasteries and convents.
Sebastião de Melo was made Count of Oeiras for his competent handling of the affair, and later, in 1770, was promoted to Marquis of Pombal, the name by which he is known today.
http://en.wikipedia.org/wiki/T%C3%A1vora_affair
Nikon D40X
2009/05/31 19:41:28.4
Compressed RAW (12-bit)
Image Size: Large (3872 x 2592)
Color
Lens: 18-55mm F/3.5-5.6 G
Focal Length: 18mm
Digital Vari-Program: Auto
Metering Mode: Multi-Pattern
1/60 sec - F/4
Exposure Comp.: 0 EV
Sensitivity: ISO 200
White Balance: Auto
AF Mode: AF-A
Color Mode: Mode IIIa (sRGB)
Tone Comp.: Auto
Hue Adjustment: 0°
Saturation: Auto
Sharpening: Auto
Reserved copyrights: The present photograph is intellectual workmanship protected by law 9610/98 being forbidden to the reproduction for any way without the previous authorization in writing it author. Please contact Gonçalo Lopes
shevchenko, Amaz, ciakgiak, lucasgalodoido, Clementi, jhm, paura has marked this note useful
Critiques | Translate
wgreis
(6158) 2009-07-12 15:18
Gonçalo!!
Que aula de história!!! Muito boa a sua nota.
Gostei da imagem "per si" - inclusive pela opção do P&B, mas confesso que gostei muito de associá-la ao relato da nota.
Parabéns e grande abraço,
Wagner.
shevchenko
(10072) 2009-07-12 21:04
Hi Goncalo,
Interesting note for study the historical place, good frame to the monument at the corner, it look like abandoned, clear black and white photo, thanks for sharing.
Ally
John_F_Kennedy
(31994) 2009-07-13 0:35
Nice approach to this statue. Superb sharpness. Very nice photo job here.
Best wishes,
Achim
Amaz
(7512) 2009-07-13 2:10
Um tema apassionate, Gonçalo!!
Para Alexandre Dumas!!
Há um pouco de todo: intrigas, paixão e poder!!!
Boa captura, também!!!
Parabéns mil, amigo!!!
ciakgiak
(11262) 2009-07-13 2:18
Ciao Goncalo,
note molto interessanti e bn di bell'effetto.
Ottima la collocazione della stele e buona scelta del POV, avrei solo leggermente accentuato i contrasti soprattutto nella parte superiore.
Un carissimo abbraccio, buona settimana.
Giorgio
jplebrun
(17326) 2009-07-13 5:29
Bonjour Goncalo
belle photo de cette colonne commémorative sise à Bélem, le noir et blanc donne de l'importance au cliché.
Amitiés
Jean-Pierre
lucasgalodoido
(16789) 2009-07-13 10:10
Olá Gonçalo,
que história essa hein, e achei bem interessante a foto também, até a pixação ficou curiosa.
Parabéns e Abraço
peppe59
(2208) 2009-07-13 13:13
Ciao Goncalo,
bella realizzazione ed ottima nota, buona la scelta del B/N.
Un caro saluto
Giuseppe
siamesa
(13239) 2009-07-13 15:34
Oi Gonçalo
Levei um certo tempo para ler a nota histórica, mas valeu a pena , além de a foto ser excelente. Esse P&B esmaecido ficou lindo.
Abraços
maria
Clementi
(45245) 2009-07-13 22:45
Ciao Goncalo,
un angolo del portogallo nascosto, interessante la nota, ottima l'idea del bianco e nero,
ottimo lavoro
Giorgio
syrus_persia
(2222) 2009-07-13 23:02
Salam Goncalo
Good composition with beautiful use of B&W.
The light management is vey well done.
Thank you for shearing
cyrus
jhm
(83352) 2009-07-14 2:30
Ciao Goncalo,
Thank you very much for your excellent note again.
You show us here a very nice picture of the statue.
Sparness and clarity are superb.
Very well colour and composition. TFS.
Have a nice day,
John.
celmaleite
(2932) 2009-07-14 5:16
Uma imagem interessante e muito bem elaborada em P&B. A nota está riquíssima com uma informação completa e bem associada ao cenário. Parabéns, abraço
giorgimer
(21478) 2009-07-14 13:09
Olà Goncalo,
nice B/W shot, I liked a lot your note, it's very complete.
Compliments!
Gio
paura
(39306) 2009-07-15 3:13
Gonçalo,
Eu nunca tinha visto essa peça antes. Absolutamente interessante e bem apresentada em sua fotografia.
Abraço, amigo.
Paulo
xuaxo
(5835) 2009-07-15 10:26
Olá Gonçalo,
Um monumento curioso e inesperado.
Se não fosse o grafitti de mau gosto, podia ser uma imagem do tempo de D. José. Bom, às tantas naquele tempo já faziam grafittis nos monumentos :-/
Cumprimentos,
Francisco
jmdias
(19899) 2009-07-18 8:03
gonçalo
muito boa a nota e muito boa a foto em preto e branco que realça bem as formas do pilar contra as formas das casas no entorno. bem feito
abraços
jorge
stego
(22478) 2009-07-18 9:24
Olá Gonçalo,
Além de uma boa foto, cujo assunto dificilmente podia ser mais adequado ao P&B, esta adequa-se bem ao mote do TE, pelo que representa na História de Portugal.
Um abraço,
José
Photo Information
-
Copyright: Goncalo Lopes (Bluejeans)
(33081) - Genre: Places
- Medium: Black & White
- Date Taken: 2009-05-31
- Categories: Event
- Camera: Nikon D40X, AF-S NIKKOR 18-55mm 1:3.5-5.6G ED II, SD 4GB 150x, Hoya 52mm Circular polarizer
- Exposure: f/4, 1/60 seconds
- More Photo Info: view
- Map: view
- Photo Version: Original Version
- Theme(s): Portugal in Black and White [view contributor(s)]
- Date Submitted: 2009-07-12 13:59








