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Photographer’s Note

THE BIRTH OF OPERA

Anyone who has any interest in the arts knows that the Tuscan capitol of Florence was the cradle of one of the greatest ages in history, the Italian Renaissance. Surpassing artists and architects, including Giotto and Ghiberti, Donatello and Verrocchio, and the unrivaled duo of Leonardo and Michelangelo, all thrived in Florence. But it is not widely known that opera also had its origins in Florence. Late in the 16th century, not long after the death of Michelangelo in 1564, a new genre in music emerged, with dialogue presented in a theatrical style as declamation, a sung musical drama, and eventually evolved into what is now known as opera.

Giulio Caccini, a tenor and composer in the employ of the Medici family, is generally regarded as one of the inventors of the genre, bringing the voice to the forefront of the recitative, and accompanying it with a basso continuo. In 1600, on the occasion of the wedding of Maria de Medici to Henry IV of France, Eurydice by Jacopo Peri (1561-1633) was performed at the Palazzo Pitti, with Peri personally playing the role of Orpheus and using this new style of expression, "singing recitation". Claudio Monteverdi (1567-1643) perfected the genre and ensured its successful establishment with his Orfeo (1607), Il Ritorno d'Ulisse in Patria (1641) and L’Incoronazione di Popea (1642).

The earliest works were usually performed in private palaces, but during the 17th, 18th and 19th century many theaters had been built as venues for operatic performances, most prominent among them the Teatro della Pergola and the Teatro Comunale. Among works that received their Italian (or even world) premiers were the grand operas of Mozart, Donizetti’s Parisina and Rosamunde d’Inghilterra, Verdi’s Macbeth and Mascagni’s Rantzau.

August 6, 2008 I had taken a train from the port city of Livorno to Florence, and, during a highly compressed day, visited a number of sites new for me. In this instance as I left the Archaeological Museum from a side door, I came across an old wall plastered with posters announcing operas — operas recently performed or soon to be performed. Each, I thought, was a colorful work of art, but each beginning to show the signs of deterioration from exposure to the elements. The shows advertised included the “Barber of Seville,” “Carmina Burana,” “ La Traviata” and “La Boheme,” each I could hear in my mind’s ear. This collection of posters on the dilapidated wall should be viewed while listening to one of these timeless works — I would suggest a poignant work by Puccini.

Nikon D200, Nikkor 28-200 mm, no filter, hand held. In post-processing the scene, I highlighted the posters slightly, increasing the lightness, contrast and color saturation.

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Additional Photos by Bulent Atalay (batalay) Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 4566 W: 298 N: 6817] (20964)
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