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Photographer's Note

VENICE’S FIRST RENAISSANCE PAINTING

It was July 3rd, 2007, Venice. Later that day the Crystal Serenity would sail out for Dubrovnik. A Venetian guide who had boarded the ship mentioned to me that restoration had just been completed on the painting “Madonna and Child” by the great Venetian painter Giovanni Bellini. She also explained that the work, adorning a wall in a church, was recognized as Venice’s first Renaissance painting. I rushed over to the church, but found the doors locked — understandable, I thought, it was lunchtime. I waited around for a few minutes, camera bag, tripod all in the ready. Suddenly a team of 3-4 professional photographers arrived at the door with their camera gear. The door of the church was promptly opened, and the caretaker escorted them into the church. I too was allowed to enter by the caretaker, who thought that I was a member of the camera crew. I had nothing to do with the group, but I did have serious looking camera equipment hanging from my shoulders.

Right after the professionals set up their lights, and started doing light tests, I pulled out my camera and quickly shot half a dozen photos using their lighting — camera held horizontally, camera held vertically... until someone turned me in as an impostor. For artistic composition purposes, the photographer on the ladder (left) is critical. But, it was also he who had betrayed me to the church caretaker — who reacted with indignation — unceremoniously escorting me out of the church.

I had been escorted out of a church before, when, five years ago, I took a photograph of the "Galileo Chandelier" in the Duomo in Pisa. Four-hundred years ago the great mathematician/astronomer had been attending mass in the church when an earthquake struck the area. Those wiser than Galileo (which meant everyone else in the Duomo) had run ouside. But Galileo, had remained in his pew, and timed the period of the chandelier oscillating back and forth. He had used his own pulse as a stopwatch. (You have to be unusually cool to do that!) This ignited his interest in physics and mathematics. And of course many years later he got in deep trouble with the Inquisition, when he argued that the earth was a planet, and like the others, it orbited the sun. Thus a better man than I had been unceremoniously evicted from a church before. The moral of the story for me in that instance: don't take a photograph with a flash during mass!

Giovanni Bellini (1430-1516) was the best known of the Bellini Family of painters. He was the brother of another famous Venetian painter, Gentile Bellini; the brother-in-law of Andréa Mantegna; and the teacher of the man who would become the greatest Venetian painter, Titian.

Nikon D-70, tripod, no filter. I could not control the light, and the face and right arm of the photographer in front is seriously overexposed with a light pointing directly at him.

Warm regards to all of my TE friends, especially to the Italians among them.

Bulent

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Additional Photos by Bulent Atalay (batalay) Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 5963 W: 474 N: 9990] (32858)
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