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The church of San Rocco in Rome is a church of the seventeenth century in the Campo Marzio. The church was born through the initiative of the "Brotherhood of San Rocco", dedicated to the saint of Montpellier in 1499 and approved by Pope Alexander VI. At the religious alliance, created to help the sick of the plague on the initiative of the boatmen and the hosts who lived near the Tiber, was granted to build a hospital near the ancient church of San Martino juxta flumen ("the river") since this the eleventh century. The site is in fact place very close to an ancient river port of Ripetta said. Immediately after the experiences made during the holy year of 1500, in 1502 it was dedicated to St. Rocco and St. Martin and the hospital was built which was enriched in a second moment of a department of gynecology. The church, with no particular artistic ambitions, was completed with an interior decoration, in part by Baldassarre Peruzzi and the facade was decorated with Stories of St. Rocco the painter Avanzino Nucci. In 1645 he was brought to light an ancient fresco of the Madonna, previously served, and the image was considered miraculous. A year later he began the restructuring of the early church, whose work was completed in 1654 by the munificence of Cardinal Francesco Barberini, and Edward Vecchiarelli. Architect Giovanni Antonio De Rossi was responsible for the sacristy, the construction of the dome, the inclusion of the new chapel of "Madonna of the Graces." The interior has a nave with three chapels on each side, received a new decoration. Among the paintings are reminiscent of the Madonna and Child with St. Roch and St. Anthony of Baldassare Peruzzi, but extensively restored by Giovan Battista said Gaulli Baciccio around in 1660 because of extensive damage caused by frequent floods and the great painting by Brandi San Rocco in Glory in 1674, located on the main altar. In the first half of the eighteenth century, chapels were adorned with a decorative marble, while the facade was built in neoclassical style by the architect Giuseppe Valadier in 1832, with one order of double columns with Corinthian capitals in the center, flanked by pilasters with Ionic capitals , supporting a large gable. On the portal entrance is the coat of arms of Pope Gregory XVI reigning at the time of the work. The first radical transformation of the appearance of the area occurred in 1890 with the demolition of Ripetta due to the construction of the Tiber and the Ponte Cavour. Subsequently, there were radical renovation of the neighborhood near the Ara Pacis and between 1934 and 1938 buildings were demolished and dense near the Mausoleum of Augustus. During the work, the hospital was demolished (rebuilt between 1772 and 1775) and the church tower. Because of this work was to replace the walls with the sides and rear of the church, who previously leaned to buildings. The church, in fact, survived the demolition thanks to the artistic value and devotion to the chapel of the Madonna delle Grazie.

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Additional Photos by Valter Palone (bayno) Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 1213 W: 289 N: 2145] (16241)
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