Photographer’s Note
Another jewel of Barocco leccese, hope you enjoy it, sorry for the cars, but it was not possible to remove them. As I said in one of my latest photos of this city, due to narrowness of the square besides the church, I was able only to take a picture from the bottom.
The Church of the Carmine, adjacent to the convent of the Carmelitani, introduces one strange variation of the plant of Greek cross, reproducing the shape of the human foot for devotion towards one Biblical tradition. Its inner space with a central plant has three chapels head for side and in the center a deep presbiterio and covered, to the height of transetto, from one green decorated cupola. It is the tallest chuch in the surroundings. In the skillful transetto the altar of S.Francesco di Paola is placed with the statue of the religious one, realized in cartapesta (a type of work to realize statues in which Lecce craftsman are particularly skilful, making original figures with meticulous details and exquisite workmanship, often requiring several weeks to complete) and the altar of S. Anna who introduces the paint of the Vergine with the Child between the S. Anna, S.Giuseppe and S.Gioacchino staues. In the opposite side of the transetto is conserved the ancient lignea statue of the Vergine of the Carmelo, in the altar of the Purification of the Vergine. Behind the main altar we find the beautiful chorus and and numerous important paints of Serafino Elmo. Externally the Church of the Carmine is divided in three overlapped orders, leaving from the bottom, to the first level, most eccentric, we find the great portale centers it, placed side by side laterally from niches with saints statues and on the top an arched architrave with a medallion that represents the image of the Vergine of the Carmine. According to plan, the facade resumes the rhythms of the inferior order, proposing them in the window on the center and in the niches with the sculptures of S. Teresa D' Avila and Maddalena. The last advanced level visually resumes the entire structure of the facade. The construction of Church of the Carmine was begun in the 1714 by Cino and finished by Emanuele Manieri.
Critiques | Translate
Clementi
(45179) 2007-05-12 5:59
ciao Stella ci stai deliziando con queste stupende opere d'arte della Puglia ,
bellissima foto , luce e colori molto delicati , ma ti devo fare una piccola critica .... le macchine io le odio .
buon fine settimana
Giorgio
zo_tos
(1084) 2007-05-12 6:39
ciao stella,
another nice photo of your region,here you choose a quit good pov, and you position the sky in a clever way, unfortunately some people park their cars in front of the monuments! interesting note too,stratos
evanrizo
(456) 2007-05-12 11:46
Ciao Stella.
This is a very impressive building, a very imperessive monument with very nice details.
About the cars, your are not culpable, culpable are they park the cars there!-:))
You have a very good notice too.
TFS
Cheers
dip
(12844) 2007-05-12 17:04
Hi Stella,
nice shot from this beautiful building.
Very interesting the structure of the facade.
Ciao. -Dimitris-
Silvio1953
(42769) 2007-05-12 17:30
Ciao Stella, splendida carrellata del magnifico barocco leccese, che peccato quelle macchine davanti alla meravigliosa facciata, la prossima volta chiama il carro attrezzi prima di scattare la foto...
Buona notte e buona domenica, ciao Silvio
batalay
(21193) 2007-05-12 18:36
Hi Stella,
Wonderfully informative note, accompanying the photo of the Chiesa del Carmine. The narrow roadway, as you explained, and the parked cars, place severe constraints on the photo, as does the back lighting, but you've succeeded in revealing the superb Baroque details of the edifice.
In 'Math and the Mona Lisa,' when I created the drawing of Tom Tower, the gateway of Christ Church, Oxford (page 125) I included a pair of cars. In doing art you encounter the same problems. I decided to include the cars as a dating mechanism. If any of my works survive into the future, the styles of the automobiles become useful calenderic clues. I think cars serve the same purpose in photos. Incidentally, the second car in the drawing was my Morris 1100. I was a poor post-doc.
Great photo, and thanks for the note for my photo, 'No man is an island...' (That is me on the little island, with the camera set on a tripod.)
Warm regards,
Bulent
kdialyna
(3074) 2007-05-13 2:16
Good morning Stella.
It is a quit good shot under difficult situations like the cars in front and the back light.
The details even with the wrong light looks good.
The Note is very informative and supplements your photo.
My regards
Kostas
PARDAL
(680) 2007-05-13 15:50
Ciao Stella!!
Una bella chiesa!!!
Impressive and full of details!
Well done!
About the cars..it´s not your fault ;)
Buona settimana!!
Saluti
Natàlia i Joan
dorte_s_t
(2285) 2007-05-15 5:44
Hi , Stella .
Another fine shot of this amazing building !
Your note(s) as always very interesting and informative .
I can see the difficult conditions you had when taking the picture , and the cars - they were there . Nothing you could do about it . Why not say it's OK to show what one sees and not nesessarily crop out this and that !
I like it !
Greetings
Dorte.
Photo Information
-
Copyright: Stella Marinazzo (meltemi)
(9746) - Genre: Places
- Medium: Color
- Date Taken: 2007-05-03
- Categories: Architecture
- Camera: Konica Minolta Dimage G530
- Exposure: f/4.9, 1/320 seconds
- More Photo Info: view
- Photo Version: Original Version, Workshop
- Date Submitted: 2007-05-12 5:46
Discussions
- To g__clemens: Chiesa del Carmine (1)
by meltemi, last updated 05-12 06:03








