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Photographer’s Note

Passing down rue de Rivoli, almost at the height of the Pavillon de Marsan, you come across the rectangular and very small square, Place des Pyramides, three sides of it enclosed by buildings with colonnades. At the centre of this square rises up the equestrian statue of Joan of Arc, sculpted by Frémiet in 1874.

Emmanuel Frémiet (December 6, 1824 - 1910, in Paris, France) was a French sculptor. He is famous for his sculpture of Joan of Arc in Paris (and its "sister" statue in Philadelphia) and the monument to Ferdinand de Lesseps in Suez.
He was a nephew and pupil of Rude and chiefly devoted himself to animal sculpture and to equestrian statues in armour. His earliest work was in scientific lithography (osteology), and for a while he served in times of adversity in the gruesome office of painter to the Morgue. In 1843 he sent to the Salon a study of a Gazelle, and after that date worked prolificly. His "Wounded Bear" and "Wounded Dog" were produced in 1850, and the Luxembourg Museum at once secured this striking example of his work.
In the 1850s, Frémiet produced various Napoleonic works. In 1853, Frémiet, "the leading sculptor of animals in his day" exhibited bronze sculptures of Emperor Napoleon III's basset hounds at the Paris Salon. Soon afterwards, from 1855 to 1859 Frémiet was engaged on a series of military statuettes for Napoleon III. He produced his equestrian statue of Napoleon I in 1868, and of Louis d'Orlans of 1869 (at the Château de Pierrefonds) and in 1874 the first equestrian statue of Joan of Arc, erected in the Place des Pyramides. Paris; this he afterwards (1889) replaced with another and still finer version. During this period he also executed "Pan and the bear cubs", also acquired by the Luxembourg Museum and now in the Musée d’Orsay.

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Additional Photos by George Rumpler (Budapestman) Gold Star Critiquer/Gold Note Writer [C: 5932 W: 0 N: 12191] (43238)
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