Photographer’s Note
AP Alley was a filthy, dirt-paved alley where airmen from the nearby Misawa Air Base, came to get sex and booze. This picture was taken in the early 1960s and segregation was a fact of life. The first thing that caught my attention was that a black man was in the Alley. This was very unusual as blacks were generally not welcome, and if he had gone in a bar a fight might have occurred. That is what I was immediately conscious of. What I like about the picture is that it captures the spirit of the Alley – tawdry, slightly menacing. The sign for the El Paso bar shows one of the vital facets of the Alley. The unlit cigarette indicates he is in a transient state and his departure will probably happen before he has time to light it. The man’s face also seems to reflect the fact that he is not “happy”, and seems to display a sullen anger that only could be expected under the circumstances both because of the fact he was black and because he was in an area of danger. I think he must have been aware of the fact that I was taking his picture that also might have affected his expression. It was, to me, one of those decisive moments made famous by the French photographer Henri Cartier-Bresson.
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Critiques | Translate
monas (6) 2005-08-24 15:41
the sign of bar and man below make one big and central verticale of the composition, but this line is broken: and one part of it makes a man (living nature) and the other makes the sign (unliving nature)... but mysticism of this formal vertical - which is formal element of my starting formal analyses - is interupted with something else, because turn of man's head makes too strong artistic geasture of another kind. from that moment story of scene began rulling; composition is almost unconsiously harmonized by it self. great work!!!
SoupDragon
(652) 2005-08-24 18:44
The decay is so well caught here, along with the seediness of this place. His expression is amazing, and the fact he seems to be alone (in the frame at least) makes this even more powerful (especially if this is a 50mm lens).
But, I think the composition doesn't need the bar sign, or at least not as much. For me, the picture would have been absolutely spot on if you had caught all of this guy and his bike in the frame. The El Paso sign doesn't add to the mood for me, as I've never been there, I know it must for you as you probably did, or at least knew about it (I'm not implying anything by the way!).
Decisive moment? Definitely. You can't exactly go back today to re-take this!
Photo Information
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Copyright: Thomas Roach (sigint)
(266) - Genre: People
- Medium: Black & White
- Date Taken: 1961-03-00
- Categories: Daily Life
- Camera: Nikon F, Nikkor 50mm
- Photo Version: Original Version
- Date Submitted: 2005-08-24 14:05
Discussions
- To SoupDragon: More on the photo (1)
by sigint, last updated 08-24 23:12








