Shot taken at Kumortuli.. You can see an abandoned idol..
Kumortuli (also spelt Kumartuli, or the archaic spelling Coomartolly) (Bengali: কুমোরটুলি) is a traditionally potters’ quarter in northern Kolkata (previously known as Calcutta), the capital of the east Indian state of West Bengal. By virtue of their artistic productions these potters have moved from obscurity to prominence. This Kolkata neighbourhood, not only supplies clay idols of Hindu gods and goddesses to barowari pujas in Kolkata and its neighbourhoods, but a number of idols are exported.It is one of the seven wonders in Kolkata.
The British colonisation of Bengal and India started following the victory of the British East India Company in the Battle of Plassey in 1757. The Company decided to build new settlement Fort William at the site of the Gobindapur village. Most of the existing population shifted to Sutanuti. While such neighbourhoods as Jorasanko and Pathuriaghata became the centres of the local rich, there were other areas that were developed simultaneously. The villages of Gobindapur, Sutanuti and Kalikata developed to give rise to the later day metropolis of Calcutta.
Holwell, under orders from the Directors of the British East India Company, allotted ‘separate districts to the Company’s workmen.’ These neighbourhoods in the heart of the Indian quarters acquired the work-related names – Suriparah (the place of wine sellers), Collotollah (the place of oil men), Chuttarparah (the place of carpenters), Aheeritollah (cowherd’s quarters), Coomartolly (potters’ quarters) and so on.
Most of the artisans living in the north Kolkata neighbourhoods dwindled in numbers or even vanished, as they were pushed out of the area in the late nineteenth century by the invasion from Burrabazar. In addition, Marwari businessmen virtually flushed out others from many north Kolkata localities. The potters of Kumortuli, who fashioned the clay from the river beside their home into pots to be sold at Sutanuti Bazar (later Burrabazar), managed to survive in the area. Gradually they took to making the images of gods and goddesses, worshipped in large numbers in the mansions all around and later at community pujas in the city and beyond.
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Noel_Byrne (25222) 2014-05-31 8:10
A fascinating note, and your image captures the feeling of abandonment so well. Black and white was the perfect choice for this to highlight these feelings. I love how the main subject is placed off centre, and then in the background we see more sculpture fading into the darkness, creating an even stronger sense of isolation.
Thanks for sharing a very cool image and note.
- Copyright: Indrasish Guha (Indrasish) (2873)
- Genre: Places
- Medium: Black & White
- Date Taken: 2014-04-10
- Categories: Artwork, Ruins, Decisive Moment
- Camera: Nikon D5100, Nikkor AF 50mm F1.8 D
- Exposure: f/4, 1/30 seconds
- Details: Tripod: Yes
- Photo Version: Original Version
- Date Submitted: 2014-05-31 1:54