I took this shot at Kumortuli(An area in North Kolkata).
Kumortuli (also spelt Kumartuli, or the archaic spelling Coomartolly) (Bengali: কুমোরটুলি) is a traditionally potters’ quarter in northern Kolkata (previously known as Calcutta), the capital of the east Indian state of West Bengal. By virtue of their artistic productions these potters have moved from obscurity to prominence. This Kolkata neighbourhood, not only supplies clay idols of Hindu gods and goddesses to barowari pujas in Kolkata and its neighbourhoods, but a number of idols are exported.It is one of the seven wonders in Kolkata.
The British colonisation of Bengal and India started following the victory of the British East India Company in the Battle of Plassey in 1757. The Company decided to build new settlement Fort William at the site of the Gobindapur village. Most of the existing population shifted to Sutanuti. While such neighbourhoods as Jorasanko and Pathuriaghata became the centres of the local rich, there were other areas that were developed simultaneously. The villages of Gobindapur, Sutanuti and Kalikata developed to give rise to the later day metropolis of Calcutta.
Holwell, under orders from the Directors of the British East India Company, allotted ‘separate districts to the Company’s workmen.’ These neighbourhoods in the heart of the Indian quarters acquired the work-related names – Suriparah (the place of wine sellers), Collotollah (the place of oil men), Chuttarparah (the place of carpenters), Aheeritollah (cowherd’s quarters), Coomartolly (potters’ quarters) and so on.
Most of the artisans living in the north Kolkata neighbourhoods dwindled in numbers or even vanished, as they were pushed out of the area in the late nineteenth century by the invasion from Burrabazar. In addition, Marwari businessmen virtually flushed out others from many north Kolkata localities. The potters of Kumortuli, who fashioned the clay from the river beside their home into pots to be sold at Sutanuti Bazar (later Burrabazar), managed to survive in the area. Gradually they took to making the images of gods and goddesses, worshipped in large numbers in the mansions all around and later at community pujas in the city and beyond.
Critiques | Translate
krzychu30 (14986) 2013-07-27 0:56
nice,interesting scene and really masterfully sephia processing!This combination makes your shot outstanding.
Thank you also for interesting and very informative note about the district and pottery.
Well done my friend!
Have a nice weekend
psamaddar (1089) 2013-07-27 4:50
Reminding of the festival...these guys are very busy now and work is in full pace. Good capture and effect.
Noel_Byrne (17131) 2013-07-27 7:27
I know I mentioned it before, but I find these shots fascinating. To take such raw materials and create statues of gods and goddesses that will be revered by so many is an incredible skill, as is your ability to capture the very process. As Krzysztof says above, the sepia treatment is perfectly well suited.
Thanks as always
Nicou (111254) 2013-07-27 9:05
super compo et image merveilleux quel objets, des éléphants avec des statues, le tons sont merveilleux.
Bravo et amitié
dkmurphys (44589) 2013-07-28 5:52
Very fine capture of those artistic figures. I like the sepia choice and the mysterious mood of this image. Good work.
ikeharel (48274) 2013-07-29 11:27
At first there was a look of a chaotic display - than, looking at the details, reading the note yet again, came a nice realization about the place.
The sepia tone has made it's mystery view, and you well conveyed this, even unintentioanlly.