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Tempio di Ramses III


Tempio di Ramses III
Photo Information
Copyright: Silvio Sorcini (Silvio1953) Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 3227 W: 136 N: 3058] (26722)
Genre: Places
Medium: Color
Date Taken: 2000-01-17
Categories: Architecture
Photo Version: Original Version, Workshop
Date Submitted: 2007-01-18 8:38
Viewed: 1503
Points: 38
[Note Guidelines] Photographer's Note [Italian]
Ramesses III (also written Ramses and Rameses) was the second Pharaoh of the Twentieth Dynasty and is considered to be the last great New Kingdom king to wield any substantial authority over Egypt. According to Jürgen von Beckerath, Ramesses III reigned from March 7, 1183/1182 to April 16, 1152/1151 BC.[1] This is based on his known accession date of I Shemu day 26 and his death on Year 32 III Shemu day 15 for a reign of 31 Years 1 Month and 19 days.[2] (alternate dates for this king are 1187/1186 to 1156/1155 BC). The Ancient Greeks knew him as Rhampsinitus which is a corruption of Ramesses III's popular Egyptian name: Ra-messu-pa-neter
During his long tenure in the midst of the surrounding political chaos of the Greek Dark Ages, Egypt was beset by foreign invaders (including the so-called Sea Peoples and the Libyans) and experienced the beginnings of increasing economic difficulties and internal strife which would eventually lead to the collapse of the Twentieth Dynasty. In Year 8 of his reign, the Sea Peoples, including Peleset, Denyen and Tjekker, invaded Egypt by land and sea. Although Ramesses III defeated them in two great land and sea battles, he seems to have incorporated them as subject peoples and settled them in Southern Canaan. This policy may have contributed to the formation of new states in this region such as Philistia after the collapse of the Egyptian Empire. The heavy cost of these battles slowly exhausted Egypt's treasury and contributed to the gradual decline of the Egyptian Empire in Asia. The severity of these difficulties is stressed by the fact that the first known labor strike in recorded history occurred during Year 29 of Ramesses' reign, when the food rations for the favoured royal tomb-builders in the village of Set Maat her imenty Waset (now known as Deir el Medina), could not be provisioned. The main reason for this deficiency was due to the massive and extended 1159 BC to 1140 BC eruption of the Hekla III volcano in Iceland, which expelled large amounts of smoke and rock into the atmosphere thereby causing large-scale failures of the crop harvest.[4] The presence of significant quantities of volcanic soot in the air prevented much sunlight from reaching the ground and also arrested global tree growth for almost two full decades until 1140 BC. The result in Egypt was a substantial inflation in grain prices under the later reigns of Ramesses VI-VII whereas the prices for fowl and slaves remained constant.[5] The eruption, hence, affected Ramesses III's final years and impaired his ability to provide a constant supply of grain rations to the workman of Deir el-Medina community.
These difficult realities are completely ignored by the images of continuity and stability presented in Ramesses' official monuments – most of which seek to emulate his more famous predecessor, Ramesses II. He built important additions to the temples at Luxor and Karnak, and his funerary temple and administrative complex at Medinet-Habu is amongst the largest and best preserved in Egypt – however, the uncertainty of Ramesses' times is apparent from the massive fortifications which were built to enclose the latter. No Egyptian temple in the heart of Egypt prior to Ramesses' reign had ever needed to be protected in such a manner.
Ramesses' two main names, shown left, transliterate as wsr-m3‘t-r‘–mry-ỉmn r‘-ms-s–ḥḳ3-ỉwnw. They are normally realised as Wesermaatre-meryamun Ramesse-hekaiunu, meaning "Powerful one of Ma'at and Ra, Beloved of Amun, Ra bore him, Ruler of Heliopolis".
Conspiracy against the king
Thanks to the discovery of papyrus trial transcripts (dated to Rameses III), it is now known that there was a plot against his life as a result of a royal harem conspiracy during the celebration of Medinet Habu. The conspiracy was instigated by Tey, one of his two principal wives (Isis and Tey), over whose son would inherit the throne. Isis's son, Ramesses IV, was the eldest and the chosen successor by Ramesses III rather than Tey's son Pentawere. It is not known if the plot succeeded because the body of Ramesses III shows no obvious wounds while the crown passed to Ramesses III's designated successor--Ramesses IV. Some have put forth a hypothesis that a snakebite from a viper was the cause of the king's death but this proposal has not been proven. Ramesses III may perhaps have initiated the trials himself to capture the perpetrators of the conspiracy late in his life.It is also known that he lived as long as about 2 weeks after the assassination atempt. His mummy includes a protective amulet to protect Ramesses III in the afterlife from a snakebite, which is very unusual for a pharaoh. The servant in charge of his food and drink was among the listed conspirators, but there were also some conspirators called the snake and the lord of snakes that might have been the most responsibile.
The documents also emphasize the extensive scale of the conspiracy to assassinate the king since 40 individuals were tried in all. Chief among them was Queen Tey and her son Pentawere, seven royal butlers (a respectable state office), two Treasury overseers (commonly the position of powerful Viziers), two Army standard bearers, two royal scribes and a herald. There is little doubt that all of the conspirators were sentenced to death: some of the condemned were given the option of committing suicide by poison rather than execution. In the case of Tey and her son Pentawere, their means of death is not known but their royal tombs were robbed and their names erased to prevent them from reaching the afterlife. The Egyptians did such a thorough job of this that the only references to them are these ancient documents and the remains of their tombs. The harem women have tried to seduce the people who tried them but were caught in the act.
It has been recently suggested that Pentawere, being a noble, had been spared the humiliating fate of the other conspirators. The others would have been burned alive with their ashes strewn in the streets. Such a punishment would serve to make a strong example since it conveyed such a religious gravity for ancient Egyptians who believed that one could only attain the afterlife if one's body was mummified and preserved. In other words, not only were the criminals killed in the physical world, but also in the afterlife. They would have no chance of living on in the next world, a kind of 'second death'. Pentawere, however, may have been given the option to commit suicide by taking poison and so avoid the harsher punishment of second death. This would have allowed him to be mummified and, according to common belief, move on to the afterlife.
The Great Harris Papyrus or Papyrus Harris I, which was commissioned by his son and chosen successor Ramesses IV, chronicles this king's vast donations of land, gold statues and monumental construction to Egypt's various temples at Piramesse, Heliopolis, Memphis, Athribis, Hermopolis, This, Abydos, Coptos, El Kab and other cities in Nubia and Syria. It also records that the king dispatched a trading expedition to the Land of Punt and quarried the copper mines of Timna. More notably, Ramesses began the reconstruction of the Temple of Khonsu[7] at Karnak from the foundations of an earlier temple of Amenhotep III and completed the Temple of Medinet Habu around his Year 12. He decorated the walls of his Medinet Habu temple with scenes of his Naval and Land battles against the Sea Peoples.
The mummy of Ramesses III was discovered by antiquarians in 1886 and is regarded as the prototypical Egyptian Mummy in numerous Hollywood movies. His tomb (KV11) is one of the largest in the Valley of the Kings.
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PMiranda, fayeulle, sabyasachi1212, Tezic, vinicio, leo61, brevbrev14, vonp, marjan, Leo71538 has marked this note useful
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To rossofuoco: EgittoSilvio1953 1 01-18 13:57
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Critiques [Translate]

  • Great 
  • mm212 Silver Star Critiquer [C: 22 W: 0 N: 4] (61)
  • [2007-01-18 8:44]

Nice POV and beautiful vivid colours. Bravo!

  • Great 
  • miuky Gold Star Critiquer/Silver Workshop Editor/Gold Note Writer [C: 443 W: 48 N: 610] (3335)
  • [2007-01-18 9:36]

ottima prospettiva e il note e da trattato di storia egizziana:)) me lo stampo e leggo dopo, perche il blu e fantastico!!
saluti, M.

Hi Silvio.
impressionant POV and beautiful colors.
The blue of the sky its pure.
On more great shot from you.
Ciao
Paulo

  • Great 
  • Isab Gold Star Critiquer/Silver Workshop Editor/Gold Note Writer [C: 261 W: 20 N: 100] (857)
  • [2007-01-18 12:30]

Bonjour
le sujet est intéressant. Personnellement, j'aurais centré le sujet pour donner une meilleure perpective.
Bye
Isabelle

Hi Sylvio
Super colors with difficult backlight of the sky.
Stunning
Cheers
JP

Hi Silvio,
An interesting composition from world's one of the most ancient civilizations. Like the structured POV almost like geometrical shapes.
With Greetings from India
Sabyasachi

Ciao Silvio.
Ottima foto e ottima nota. Incredibile quello che sapevano fare gli antichi abitanti di questa dannata terra, sembra non sia neanche opera nostra.
Ciao
Renzo

  • Great 
  • Tezic Gold Star Critiquer/Gold Note Writer [C: 1757 W: 6 N: 3043] (15258)
  • [2007-01-18 15:18]

Hi Silvio,
Very nice POV.. and together with the perfect note, all the details were seeing very good...

Ciao Silvio, se io passo dai ciclamini ai generatori Van de Graaf tu passi dai panorami di Spoleto alle piramidi, almeno le mie foto sono della stessa zona geografica :)))))
Dopo la risposta dovuta alla tua critica, passo con piacere alla critica di questa foto, tenedo da parte il discorso del colore e delle luci, un DRI in questo caso ci stava come il cacio sui maccheroni... la cosa che più apprezzo è il rovesciamento del cielo, molto bello, ottima idea, coraggio e genialità, complimenti.
Ciao
Vinicio

  • Great 
  • leo61 Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 3746 W: 368 N: 7705] (33742)
  • [2007-01-18 16:05]

Hi Silvio!
Good shot of this temple deatail taken from a very diferrent POV but nice perspective.Good lightmanagement and nice details at the paintings.
Regards,Leo

Ciao Silvio,
Una ottima prospettiva con dei colori stupendi. Bravo !
Ciao
Andrea

  • Great 
  • toto Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 2464 W: 112 N: 2824] (15044)
  • [2007-01-18 17:29]

Belle photo,de ce temple d' egypte,drole que nous ne nous somme pas rencontre. amitiés Thomas

Che neraviglia!!! Che bel taglio di architettura! Che ben evidenziate le pitture!! Fantastico.
Ma per ora la nota non la leggo, ero stata in Egitto anch'io e qualcosa mi ricordo :-))

Bravo!!!

Livia

  • Great 
  • Lix Gold Star Critiquer [C: 256 W: 0 N: 0] (0)
  • [2007-01-19 4:33]

Ciao SIlvio
Stupenda!!
L'inquadratura, i colori, i dipinti, il cielo...una bellisima fotografia!! Bella, bella...

Alessandro

PS Ottima nota anche.

  • Great 
  • vonp Gold Star Critiquer/Gold Note Writer [C: 369 W: 0 N: 290] (2187)
  • [2007-01-19 6:58]

Ciao Silvio,
Quando stò per guardare una tua foto dell'Egitto mi immagino sempre una sorpresa...
Ache questa volta ci proponi qualcosa di diverso. Grazie!
Bello il taglio e belli i colori.
A presto...
Paolo

Silvio ci fai girare la testa ! , complimenti molto bella .
Stefano.

ciao SIlvio, fantastica questa inquadratura!!!
ho dovuto riguardarla bene per capire la tua posizione e se il blu era una piscina..prima guardo la foto, e poi la nota....
davvero una inquadratura interessante e originale che mette in evidenza tutta la bellezza di questo arco!
BRAVISSIMO!!!E CHE NITIDEZZA!!!
ciao!
valeria

Hi silvioi, excelent shot with fantastic colours and POV. This details are fantastic. I wisited Egipt 10 yaares ago and this memors are unforgatable. Very big intro , To much to read at once.
Marjan

Those wings in the middle reminds me of the Faravahar symbol of the ancient Iran that is now used by the Zoroastrians. God knows who had invented this symbol first.
See them here:
http://www.trekearth.com/gallery/Middle_East/Iran/photo699210.htm

http://www.trekearth.com/gallery/Middle_East/Iran/photo613042.htm

http://www.trekearth.com/gallery/Middle_East/Iran/photo589789.htm

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